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Matisse's cut-outs were made at night, working by lamplight — shapes cut from paper painted in flat gouache, pinned to the wall and rearranged until they felt right. Noir Cut Out takes that vocabulary and strips it to its essentials: black form against white space, the silhouette doing all the work. A piece of extraordinary economy and elegance, from an artist who had spent 80 years learning what to leave out.
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