Description

Designed by Carlo Hauner in the 1950s, this striking pair of armchairs reflects the designer’s ability to merge modernist structure with traditional craft techniques. Hauner, an Italian-born designer who settled in Brazil, played an important role in the development of Brazilian modern furniture, often exploring the relationship between industrial materials and natural fibers.

Each chair features a painted iron frame, forming a light yet structurally expressive base. The slender metal supports create an open architectural profile while maintaining stability through carefully angled legs and cross bracing. This minimal framework allows the woven surface to become the defining visual element of the design.

The seating and backrest are constructed from handwoven sisal, a natural fiber widely used in Brazilian craft traditions. The woven surface extends continuously through the seat, back, and armrests, creating a fluid, sculptural form that appears almost suspended within the metal structure. The intricate weaving pattern enhances both comfort and durability while emphasizing the tactile qualities of the material.

The sisal has been newly woven using the same traditional technique employed in the original production of the chairs during the 1950s, carefully preserving the character and craftsmanship of the design. The metal frames have also been refinished and remain in excellent condition.

Elegant and sculptural, these armchairs stand as a refined example of mid-century Brazilian modernism, where modern industrial forms meet handcrafted materials.