Description

This exceptional set of twelve dining chairs, designed by Fatima in Brazil during the 1960s, stands as a commanding example of Brazilian Modernism’s architectural ambition and material sophistication. Produced at a moment when Brazilian designers were redefining modern furniture through local craftsmanship and noble native woods, the set reflects a confident dialogue between structure, ergonomics, and visual authority.

Each chair is constructed entirely in Brazilian rosewood, chosen for both its structural integrity and expressive grain. The tall, rectilinear backrests introduce a strong vertical rhythm, lending the ensemble a distinctly architectural presence at the table—an approach closely aligned with the era’s modernist interiors and the influence of Brazilian postwar architecture. This vertical emphasis is carefully counterbalanced by softened edges and refined joinery, preventing rigidity and allowing the design to remain inviting rather than austere.

The seats and back panels retain their original hand-woven caning, an integral component of the design rather than a decorative afterthought. Beyond its visual lightness, the caning introduces breathability and flexibility, contributing to an intentional ergonomic outcome. The gently curved seats and supportive backs promote an upright yet relaxed posture, designed for prolonged dining and conversation—comfort achieved through proportion, tension, and support rather than excess padding.

The rosewood has aged beautifully over time, revealing rich, multitone veining and depth of color characteristic of high-quality Brazilian hardwoods from the period. The wood has been expertly refinished by skilled restorers, preserving its natural patina while enhancing clarity and consistency across the set. The original caning remains in excellent condition, a rare survival that underscores both the quality of materials and the care taken by previous custodians.

As a complete ensemble of twelve, the set is particularly rare and well suited to large-scale dining rooms, architectural residences, or institutional interiors seeking historically grounded Brazilian design of museum caliber. The chairs may be acquired as a full set (listed price) or individually, allowing for flexibility without compromising curatorial integrity.

This is not merely dining furniture, but a cohesive modernist statement—rooted in Brazilian design history, executed with intelligence, and intended for collectors who value scale, provenance, and architectural presence.